Conference of Jeffrey Schnapp
University of Montréal
Pavillon Lionel-Groulx, Local C-3061
Tuesday 6th April 2017, 5:45pm-7pm
Round Table - The Encyclopedic Project in the Digital Era
University of Montréal
Pavillon Lionel-Groulx, Local C-3061
Pavillon Lionel-Groulx, Local C-3061
Tuesday 6th April 2017, 4pm-5:30pm
Conference of Marcello Vitali-Rosati, "Digital Authorities and Post-Truth"
University of Montreal
Carrefour des arts et des sciences, Local C-2059
Carrefour des arts et des sciences, Local C-2059
Tuesday, 11th April 2017, 4.30 pm
Conference of Clarisse Bardiot
Conference intitled "Arts de la scène et Culture Analytics", presented on Monday, 20th February 2017, 4 pm
Round Table: Post-truth and Authority
Wednesday, 8th February, 4.30pm
Ethical Issues in Internet Communication
Conference presented by Adriano Fabris Tuesday, 7th February, 4.30 pm
A glass behind the screen - 2017
NUMA — Paris
January, 19th - June, 8th 2017
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"content_html": "<p>Organized by the <b>CRIHN</b>, <i>Canada Research Chair in Film and Media Studies</i> and <b>Canada Research Chair in Digital Textualities</b> as a part of the <i>Technes</i> project, this round table will raise the question of the renewal of the encyclopedic project as a form of systematisation and circulation of knowledge.\r\n</p>\r\n<h3>How to reconsider the editorial and epistemological model of the Encyclopedia in the digital era?</h3>\r\n<b>Moderator</b> : Servanne Monjour\r\n<b>Speakers</b> :\r\n<ul>\r\n<li>Rémy Besson</li>\r\n<li>Benoît Melançon</li>\r\n<li>Emmanuel Château-Dutier</li>\r\n</ul>\r\n<iframe src=\"https://ia601509.us.archive.org/1/items/TableRondeLeProjetEncyclopediqueALepoqueDuNumerique/Table%20ronde%20-%20Le%20projet%20encyclopedique%20a%20l%27epoque%20du%20numerique.mp4\" ></iframe></iframe>",
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"content_html": "<img src=\"http://www.chairelexum.ca/files/sites/21/2017/02/ChaireLexUM_Rosati_11-avril_web-475x734.jpg\" />\r\n<h3>Digital Authorities and Post-Truth</h3>\r\n<p>\r\nAt the time of <b>« post-truth »</b> and of <b>« alternative facts »</b>, we can\r\n– and we <i>must</i> – ask ourselves : What is authoritative in digital space ?\r\nWhat are the devices that give weight to an assertion or to information?\r\nIt has often been argued that the Internet is a place of emancipation\r\nof the authority. « Everybody » can talk, there is no strong powers, there is no more\r\nauthority, the community has the last word, there is no authors anymore.\r\nHowever, a closer analysis shows that this is far from true. The Internet is not\r\na destructured and unregulated place, it is simply characterized by <i>different</i> structures.\r\nWithin the framework of these structures emerge new devices of production of authority.\r\nIdentifying and studying these mechanisms is essential to understand the political\r\nstakes of the digital environment and in particular to try to identify \"public\"\r\nspaces where <b>truth regimes</b> are acceptable for democratic societies.\r\n</p>\r\n<p>\r\nThe conference, presented by <b>Marcello Vitali-Rosati</b>, <i>Digital Textualities Canada Research Chair</i>'s holder,\r\nis an invitation from the <b>LexUM Chair on Legal Information</b>. It is free, and open to everyone.\r\n<p>\r\nThe session is available on the <a href=\"https://www.youtube.com/watch?v=kPQ5a8XNWjA\">Cyberjustice Lab's YouTube channel</a>.</p>",
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"content_html": "<img src=\"http://vincent.mabillot.net/wp-content/uploads/InternetChevalDeTroie.png\" />\r\n<p>\r\nI have the great pleasure to announce that <a href=\"https://www.fabula.org/#\" target=\"_blank\">Fabula</a> just published, yesterday evening, the conference proceedings of <i>Internet est un cheval de Troie</i>, which you agreed to participe. The conference happened in Lyon, in March 2016. \r\n</p>\r\n<p>\r\n<b>Élisabeth Routhier</b> and <b>Jean-François Thériault</b>, doctoral candidates at University of Montreal, talks about the <a href=\"https://www.fabula.org/colloques/document4167.php\">Auctorial Performance and the Literary System around <i>Pourquoi Bologne</i> from Alain Farah</a>.\r\n</p>\r\n<p>\r\n<b>Marcello Vitali-Rosati</b>, holder of the <b>Chair</b> and associate professor at University of Montreal, concludes the publication by article <a href=\"https://www.fabula.org/colloques/document4191.php\" target=\"_blank\"><i>Paper Literature and Digital Literature, An Opposition ?</i></a> \r\n</p>\r\n<p>\r\nTo access the whole publication, it's <a href=\"https://www.fabula.org/colloques/index.php?id=4120\" target=\"_blank\">here</a>.\r\n</p>\r\n<p>\r\nThis conference was supported by the <b>Research Commission</b> and the <b>Letters and Civilisations' Faculty of University of Jean Moulin-Lyon 3</b>.\r\n</p>",
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"content_html": "<center><img src=\"http://www.lettresnumeriques.be/wp-content/uploads/2016/11/Clarisse-Bardiot.png\" align=\"middle\" style=\"width:30%;height:30%;\"></center>\r\n<center><h3><i>Arts de la scène et Culture Analytics</i></h3></center>\r\n<br>While stage arts have widely questioned \"new\" technologies from an aesthetical point of view, the application of the these latter on the former ones study is a nascent phenomenon. The digital humanities could be the flag of new scientific perspectives for stage arts studies as it is for other domains? After an overview on the \"two waves\" (Presner, 2010) of digital humanities in the field of theatrical studies, I will analyze more specifically the possibilities given by <i>Culture analytics</i>, that is the data oriented analyse of culture. Starting from the methodologies experimented in the <i>Culture Analytics</i> program at UCLA, I will show the several possibilities in studying, analyzing and documentation in a \"medium data\" context.\r\n<br>\r\n<br><small>PhD holder on <i>Les Théâtres virtuels</i> (Paris 3/CNRS, \r\n2005), Clarisse Bardiot is associate professor of the University of Valenciennes (DeVisu lab) and associated researcher of the ArtSciLab Experimental Publishing Initiative lab directed by Roger Malina at Texas University in Dallas. In 2005, she obtained the visiting researcher grant at Daniel Langlois Foundation in Montreal for a research on <i>9 Evenings, Theatre & Engineering \r\n</i>. After that she participated in the international project DOCAM. In 2011, she created <b>Subjectile</b>, a publishing house devoted to the contemporary creation, focused on paper and digital publishing. In 2016, she was selected to participate in the \"culture analytics\" long terme program at the Institue for Applied mathematics of the University of California in Los Angeles. She's developing <i>Rekall</i> and <i>MemoRekall</i>, an environment and an open source webapp to documenting, creation processes analyzing and simplifying works reshowing. \r\nHer research axes are history and digital performances aesthetics, digital humanities, art / science / technology relations, digital works conservation, and new publishing forms.</small>\r\n<br>\r\n<br>Organized by the <b>Canada research Chair on Digital Textualities</b> and the <b>CRIHN - \r\nIntercollegiate Research Center on Digital Humanities</b>.\r\n<br>\r\n<br>\r\n<center><video width=\"640\" height=\"480\" controls>\r\n <source src=\"https://archive.org/download/clarisse-bardiot-culture-analytics_201702/conf_bardiot.mp4\" type=\"video/mp4\">\r\nThe round table recording is available on the Archive.org <a href=\"https://archive.org/details/clarisse-bardiot-culture-analytics\">Chair account</a>.\r\n</video></center>",
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"title": "Round Table: Post-truth and Authority",
"content_html": "<p><img src=\"http://g8fip1kplyr33r3krz5b97d1.wpengine.netdna-cdn.com/wp-content/uploads/2016/12/GettyImages-628655648-714x489.jpg\"></p>\n<p>According to the <em>Oxford dictionary</em> the word of the year 2016 is <em>Post-truth</em>, defined as an adjective «relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.»</p>\n<p>The <em>Brexit</em> and the Donald Trump election to the presidency of the U.S. have been the occasions were the terme <em>Post-truth</em> was mostly used, especially referring to the circulation of fake news on social networks. This has been possible because of the lack of a final authority confirming the truth of these news.</p>\n<p>Is this lack a structural component of the Web? Is it true that there is no authority in the Web? What is authority on the Web? What happens to truth in the social networks age? This round table aim for reflecting upon these matters in order to better understand our time, and maybe answer to these questions.</p>\n<p>Participants : <strong>Adriano Fabris</strong> (University of Pise, Italy), <strong>Pierre Lévy</strong> (University of Ottawa, Canada), <strong>Stéphane Vial</strong> (University of Nîmes, France), <strong>Maude Bonenfant</strong> (University of Québec in Montréal), and <strong>Marcello Vitali-Rosati</strong> (University of Montréal). Moderator : <strong>Servanne Monjour</strong> (University of Montréal).</p>",
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"content_html": "<img src=\"http://i.imgur.com/ez61TA1.jpg\".jpg />\r\n<p>\r\nSubsequent to the experiment <a href=\"http://ecrituresnumeriques.ca/en/Activities/Events/2016/11/18/Twitter-and-Philosophy\" target=_blank\">« Twitter and Philosophy »</a>, led with the cooperation of the Canada Research Chair on Digital Textualities on November and December 2016, Adriano Fabris will discuss about the experiment's outcomes and his reflections on Twitter and Social Networks.\r\n</p>\r\n<p>\r\nIn this conference, I would discuss some issues related to the Internet communication: is the ethics' basic set of problems completely changed? Are the fundamental questions still valable nowadays? On the other hand, which are the newest ethics questions about this mass communication instrument? Are we facing an expression's freedom empowerment? Thanks to Internet, are we more and more free, or is it developing new formes of control, domination, and power? Which is the difference between ethics <i>of</i> the Internet and ethics <i>on</i> the Internet?\r\n</p>\r\n<p>\r\nWith the collaboration of the <b>CRIHN - Intercollegiate Research Center on Digital Humanities</b> and the <b>Italian Institute of Culture</b>.\r\n</p>\r\n<center><video width=\"640\" height=\"480\" controls>\r\n <source src=\"https://archive.org/download/EthicalIssuesInInternetCommunication/-Ethical%20Issues%20in%20Internet%20Communication-.mp4\" type=\"video/mp4\">\r\n <source src=\"-Ethical Issues in Internet Communication-.ogv\" type=\"video/ogg\">\r\nThe lecture recording is available on the Archive.org <a href=\"https://archive.org/details/EthicalIssuesInInternetCommunication\">Chair account</a>.\r\n</video></center>\r\n",
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{
"slug": "a-glass-behind-the-screen",
"date_start": "2016-12-12",
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"id": 1256,
"events_id": 628,
"languages_code": "en",
"title": "A glass behind the screen - 2017",
"content_html": "<img src=\"http://uvde.fr/wp-content/uploads/2014/12/uvde_plateau_media.png\"\">\r\n<p>\r\n<a href=\"http://uvde.fr\" target=_blank\"><i>Un verre derrière l’écran</i></a> is a digital culture seminar aiming to investigate, from a social and human sciences point of view, the new technologies' issues in contemporary society and culture. It is an opportunity to debate on digital-oriented theories, methods and practices. The purpose is to critically exchange and discuss on these themes in order to let the public opinion be more aware of the digital culture.\r\n</p>\r\n<p>\r\nThese meetings want themselves to be a bridge between human sciences and digital players. The meetings are free and open to everybody and they gather together academics coming form professional and media domains. Every session is live broadcasted. <i>Un verre derrière l'écran</i> is as well present on <a href=\"https://www.facebook.com/unverrederrierelecran/\" target=_blank\"><b>Facebook</b></a> and <a href=\"https://twitter.com/uvde_\" target=_blank\"><b>Twitter</b></a>.\r\n</p>\r\n<h3>\r\nSessions schedule:\r\n</h3>\r\n<ul>\r\n<li>\r\n19th January - <a href=\"http://www.ergoia.estia.fr/ergoia-2014/articles/anne-guenand-universite-technologique-de-compiegne.htm\" target=_blank\"><b>Anne Guenand</b></a>: <a href=\"http://uvde.fr/seance/experience-utilisateur-gestes-emotions-linterface/\" target=_blank\"><b>« Expérience utilisateur: les gestes et émotions dans l’interface »</b></a> ;\r\n</li>\r\n<li>\r\n23rd Mars - <a href=\"https://fr.wikipedia.org/wiki/Christian_Licoppe\" target=\"_blank\"><b>Christiane Licoppe</b></a>:<a href=\"http://uvde.fr/seance/smart-grids-quantified-self-technologies-reflexives-gouvernement-traces/\" target=\"_blank\"> «<b> Des \"Smart Grids\" au \"Quantified Self\": technologies réflexives et gouvernement par les traces </b>»</a> ;\r\n</li>\r\n<li>\r\n27th April - <a href=\"http://diip.ensadlab.fr/fr/etudiants-chercheurs/article/ianis-lallemand\" target=_blank\"><b>Ianis Lallemand</b></a>: « Design génératif : le code au service de l’art » ;\r\n</li>\r\n<li>\r\n18th May - <a href=\"http://merzeau.net\" target=_blank\"><b>Louise Merzeau</b></a>: « Mémoire et numérique : entre collecte et oubli, enjeux sociétaux et professionnels » ;\r\n</li>\r\n<li>\r\n8th June - <a href=\"http://fannygeorges.free.fr\" target=_blank\"><b>Fanny Georges</b></a>: <a href=\"http://uvde.fr/seance/identite-numerique-post-mortem/\">« <b>Représentation de soi et identités numériques post-mortem</b> »</a>.\r\n</li>\r\n</ul>\r\n<p>\r\nSeminar's organizer : <a href=\"http://www.hetic.net\" target=_blank\"><b>Hétic</b></a> and <a href=\"https://paris.numa.co\" target=_blank\"><b>Numa</b></a>, with the partnership of <a href=\"http://ecrituresnumeriques.ca/en/\" target=_blank\"><b>Canada Research Chair on Digital textualities</b></a>, the <a href=\"http://www.crihn.org\" target=_blank\"><b>CRIHN - Intercollegiate Research Center on Digital Humanities</b></a> and the <a href=\"http://www.umontreal.ca\" target=_blank\"><b>University of Montréal</b></a></p>",
"links": null,
"feature_image": null,
"description": "NUMA — Paris<div class=\"dateHeure\">January, 19th - June, 8th 2017</div>",
"location": null,
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}