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"content_html": "<h3>Tuesday, May 11th 2021 :</h3>\r\n\t<ul><li>10:00 – 12:00 : Executive Board Meeting </li>\r\n\t<li>13:00 – 14:00 : Annual General Meeting</li>\r\n\t<li>14:30 – 16:00 : Book Launch</li></ul>\r\n\t\r\n<h3>Wednesday, May 12th 2021 :</h3>\r\n\t<ul><li>11:00 – 12:00 : Film Discussion with Mark Terry, director of <i>The Antarctica Challenge</i> (2009) and <i>The Polar Explorer</i> (2011)</li>\r\n\t<li>13:00 – 14:00 : World Premiere of <i>The Changing face of Iceland</i> (dir. Mark Terry)</li></ul>\r\n\t\r\n<h3>Thursday, May 13th 2021 :</h3>\r\n\t<ul><li><b>10:00 – 11:30 : Panel 1 : Post-Magical Realist Worlds</b>, avec :<br/>\r\n\t1. Kurosh Amoui (York University), \"The Otherness Within: <i>Jinn</i> in the 20th Century Farsi Novel\"<br/>\r\n\t2. Cody Lang (University of Alberta), \"The Ex-centric in Magical Realist Cinema\"<br/>\r\n\t3. Moira Marquis (University of North Carolina), \"Black Magic: Magic as Knowledge in <i>Lovecraft Country</i>\"</li>\r\n\t<br/><br/>\r\n\t<li><b>12:00 – 13:30 : Panel 2 : Post-Magical Realist Worlds</b> avec : <br/>\r\n\t1. Chinelo Ifeyinwa Ezenwa (University of Western Ontario), “Re-thinking Colonial Missionization in Tsitsi Dangaremgba’s Nervous Conditions”<br/>\r\n\t2. Leslie Katz (Independent Scholar), “The Theatre of Sony Labou Tansi: A Magical Unmasking”<br/>\r\n\t3. Jill Planche (Brock University), “’It is the storyteller . . . who makes us what we are’: The Ontological and the Material in Zakes Mda’s Postapartheid Novels.”</li>\r\n\t<br/><br/>\r\n\t<li><b>14:30 – 16:00 : Panel 3 : Future Directions</b> avec :<br/>\r\n\t1. Jack Leong (York University), “Ascending to the Stars: Ideology and Transcendence in Science Fiction by Arthur C. Clarke, Stanley Kubrick, Stanislaw Lem and Cixin Liu”<br/>\r\n\t2. Lee Campbell (York University), “Reading like a Replicant: Literature, Embodiment, and Mortal Archives in <i>Blade Runner 2049</i>”<br/>\r\n\t3. Joshua Synenko (Trent University), “Data-Driven Narratives in Farocki and Sharp” <br/>\r\n\t4. Jessy Neau (University of Mayotte), “Dark Exoticism and Literary Tropes of Dystopia in Island Narratives”</li></ul>\r\n\t\r\n\t<h3>Friday, May 14th 2021 :</h3>\r\n\t\t<ul><li><b>10:00 – 11:30 : Panel 1 : Workshop: Questioning Inscription</b><br/>Hosted by the Research Group COMPARATIVE MATERIALITIES: MEDIA, LITERATURE, THEORY</li>\r\n\t\t<li><b>12:00 – 13:30 : Panel 2 : Workshop: Enacting Inscription</b><br/>Hosted by the Research Group COMPARATIVE MATERIALITIES: MEDIA, LITERATURE, THEORY\r\n\t\t</li>\r\n\t\t<li><b>14:30 – 16:00 : Panel 3 : Poetry Workshop with Kendel Hippolyte</b> animé par Doris Hambuch.</li></ul>\r\n\t\r\n\t<h3>Saturday, May 15th 2021 : </h3>\r\n\t\t<ul><li><b>10:00 – 11:30 : Panel 1 : Multilingual Directions</b> avec :<br/>\r\n\t\t\t1. Elena Siemens (University of Alberta), “Ole Nopea! Multilingual Writing, Google Translate, and the Polaroid”<br/>\r\n\t\t\t2. Shlomo Gleibman (York University), “The Intersecting Languages of Learning and Lovemaking: Queer Images of Text Study in Jewish Multilingual Art”<br/>\r\n\t\t\t3. Carole Hoyan (The Chinese University of Hong Kong), “The “Transgression Model” of <i>Worlding</i>: Reading the Hong Kong Author Leung Ping-kwan (Yesi)”<br/>\r\n\t\t\t4. Doris Hambuch (United Arab Emirates University), “English Intrusions in Humaid Alsuwaidi’s <i>Abdullah</i> and <i>Musk</i>”</li>\r\n\t\t<li><b>12:00 – 13:30 : Panel 2 : Literary Translation</b>, animé par Joe Pivato, avec :<br/>\r\n\t\t\t1. Jerry White (University of Saskatchewan), “The Question of Translation in Fleur Jaeggy: Perspectives from Huston and Kundera”<br/>\r\n\t\t\t2. Shengyu Wang (Soochow University), “Against a “Scientific” Translation: George Soulié de Morant’s Creative Retelling of Seventeenth-Century Chinese Ghost Stories”<br/>\r\n\t\t\t3. Jessica Tsui-yan Li (York University), “The Self-Portrayal in Eileen Chang's Autobiographical Work”<br/>\r\n\t\t\t4. Yaser Aman (Imam Abdulrahman Bin Faisal University), “Examples of Appropriation in Literary Translation”</li>\r\n<li><b>14:30 – 16:00 : Panel 3 : Between Directions</b>, avec :<br/> 1. Sibel Kuşca Güngör (Eskişehir Osmangazi University), “Construction of Identity and the Psychology of Exploitation in <i>The Bluest Eye</i> by Toni Morrison and <i>White Teeth</i> by Zadie Smith”<br/>\r\n\t2. Ramanpreet Kaur (Western University), “Confronting Historical Imaginings of Punjabi Nautch-Girl: A Comparative Study of Nineteenth-Century Colonial and Native Writings”<br/>\r\n\t3. Flora Roussel (Université de Montréal), “Affective In-between-ness: Dis/orienting Narrative Selves in Akwaeke Emezi’s <i>Freshwater</i> and Kanehara Hitomi’s <i>AMEBIC</i>”<br/>\r\n\t4. Louis-Thomas Leguerrier (Harvard University), « Du corps lesbien à King kong : figures fluides et figurations de la fluidité chez Monique Wittig et Virginie Despentes »\r\n</li>\t\t\t</ul>\r\n\t<h3>Sunday, May 16th 2021 :</h3>\r\n\t\t<ul><li><b>10:00 – 11:30 : Panel 1 : East and West</b>, avec : <br/>1. Ayesha Altaher (University of Waterloo), “Syrian Traces in America: Building a Syrian Community”<br/>\r\n\t\t\t2. Lamees Al Ethari (Univerity of Waterloo), “Demonstrations, Resistance and Redefining Iraqi Identity through Social Media”<br/>\r\n\t\t\t3. Baia Kotrikadze (Mount Royal University), “Orientalism in Pushkin’s <i>Prisoner in the Caucasus</i>”<br/>\r\n\t\t\t4. Mai Hussein (Concordia University), “Wajdi Mouawad’s <i>Littoral</i>: Bridging Cultures”</li>\r\n\t\t<li><b>12:00 – 13:30 : Panel 2 : Different Directions</b>, avec :<br/>\r\n\t\t\t1. Nella Darbouze (University of Calgary), “Narrative Structure and the Appraisal of Racial Injustice in Dinah Craik’s <i>Olive</i> and Mayne Reid’s <i>The Yellow Chief</i>”<br/>\r\n\t\t\t2. Mehraneh Ebrahimi (York University), “Human-rights and Stories in the Age of Social Media”<br/>\r\n\t\t\t3. Asma Sayed & Sameena Siddiqui (UBC), “South Asian Canadian Diasporic Art: Examining the Cultural Politics of Canonization and Deviant Artistic Subjectivities” <br/>\r\n\t\t\t4. Laurence Sylvain (Université de Montréal), « La querelle des icônes (eikonomachía) : La représentation et la question du libre arbitre »</li>\r\n\t\t<li><b>14:30 – 16:00 : Panel 3 : Literary Translation</b>, avec :<br/>\r\n\t\t\t1. Maria Cristina Seccia (University of Udine), “ReMediating the Mother’s Memories: Mary Melfi’s <i>Italy Revisited</i> and its Translation <i>Ritorno in Italia</i>”<br/>\r\n\t\t\t2. Deborah Saidero (University of Udine), “Reclaiming the (Mother)Tongue through Self-Translation”<br/>\r\n\t\t\t3. Joe Pivato (Athabasca University), “Lost in Translation: Slavery in European Art”<br/>\r\n\t\t\t4. Maral Aktokmakyan (Independent Scholar), “<i>Akabi</i> in English or the Limits of Translating an Armeno-Turkish Novel”</li></ul>\r\n",
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"slug": "simone-beta-lecture-les-enigmes-grecques-depuis-constantin-cephalas-jusqu-a-jean-eugenikos",
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"title": "Simone Beta Lecture : Les énigmes grecques, depuis Constantin Céphalas jusqu'à Jean Eugenikos",
"content_html": "<p>We know the poetic genre of the riddle in Greek literature thanks to the fourteenth book of the <em> Palatine Anthology. In this small collection, which contains about fifty riddles, fifty oracles and fifty mathematical problems, we find categories of riddles that will become very popular in the following centuries.</p>\r\n<p> \r\nIn the conference these small texts will be examined by comparing them to the texts of the Byzantine enigmas, attributed to more or less known authors (Jean Mauropous, Jean Géomètre, Christope de Mytilène, Michel Psellos, Basile Mégalomytes, Eustathios Makrembolites, Théodore Aulikalamos, Théodore Prodromos, Jean Eugénikos) who were active between the 11th and 15th centuries.</p>\r\n<p>Simone Beta is Professor of Classical Philology at the University of Siena. His research focuses on ancient theater and its fortune (especially Greek comedy), metaphor, epigrams and enigmas.</p>\r\n<p>\r\nAs far as comedy is concerned, he has worked mainly on Aristophanes: we recall here <em>Il linguaggio nella commedia di Aristofane: parola positiva e parola negativa nella commedia antica</em>, Rome 2004; The Metamorphosis of a Greek Comedy and its Protagonist: Some Musical Versions of Aristophanes' <em>Lysistrata</em>, in P. Brown & S. Ograjensek (eds.), <em>Ancient Drama in Music for the Modern Stage</em>, Oxford and New York 2010, 240-57 ; <em>Attend, o Muse, Our Holy Dances and Come to Rejoice in Our Songs: The Reception of Aristophanes in the Modern Musical Theater</em>, in S. Douglas Olson (ed.), <em>Ancient Comedy and Reception. Essays in Honor of Jeffrey Henderson, Berlin and Boston 2013, 824-48.</p>.\r\n<p>\r\nRegarding the metaphor, we can quote <em>La metafora. Testi greci e latini tradotti e commentati da Giulio Guidorizzi e Simone Beta</em>, Pisa 2000; as regards the epigrams, <em>Vino e poesia. Centocinquanta epigrammi greci sul vino</em>, a cura di S. Beta, Milan 2006.</p>\r\n<p>\r\nHe has published unpublished Byzantine riddles ('You possess me, you bring me with you, I am a part of you': a new Byzantine riddle in the Pal.gr. 116, BZ 107, 2014, 37-50; An Enigmatic Literature. Interpreting an Unedited Collection of Byzantine Riddles in a Manuscript of Cardinal Bessarion, DOP 68, 2014, 211-40; A Challenge to the Reader. The Twelve Byzantine Riddles of Pal.gr. 356, JÖB 66, 2016, 11-32).</p>\r\n<p>\r\nHis latest publications are Il labirinto della parola. Enigmi, oracoli e sogni nella cultura antica</em>, Turin, 2020 and <em>Io, un manoscritto: l'Antologia Palatina si racconta</em>, Rome, 2019, translated into French by Les belles lettres (<em>Moi, un manuscrit. Autobiographie de l'Anthologie Palatine</em>).\r\nHe has just translated into Italian the <em>Antigone</em> by Sophocles (Milan, 2020) and the <em>Lysistrata</em> by Aristophanes (Milan, 2020).</p>\r\n\r\n<iframe src=\"https://archive.org/embed/confsimonebeta_202102\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen></iframe>",
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"description": "<h2>4th February 2021<br />\r\n10.30 am, Montreal Time<br />\r\n<a href=\"https://jitsi.iro.umontreal.ca/conferenceSimoneBetaEnigmesGrecques\">https://jitsi.iro.umontreal.ca/conferenceSimoneBetaEnigmesGrecques</a>",
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"content_html": "<p>2nd part of the conference cycle \"Critical editions: new methodological issues\".\r\n\r\n<p>Elena Pierazzo is a professor in Tours, at the Center for Higher Studies of the Renaissance, where she is responsible for the Digital Humanities, the Master's Degree in Intelligence of Culture and Heritage Data and the Master's Degree in Digital Mediation of Culture and Heritage. D. in Italian Philology from the Ecole Normale Superiore of Pisa in 2001, she worked at the University of Pisa until 2006; was a Research Fellow at the Harvard Center for Italian Renaissance Studies \"Villa I Tatti\" in Florence (2002-2003); then worked at King's College London (2006-2014) before being elected Professor at the University of Grenoble Alpes. From 2012 to 2015 she was also President of the TEI and in 2019 co-chaired the DH conference in Utrecht.</p>\r\n\r\n<iframe src=\"https://archive.org/embed/gren_editionscritiques2\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen></iframe>",
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"description": "<h2>28th January<br/>110-11h (East hour)<br/><a href:\"https://meet.jit.si/GREN_EditionsCritiques2_EP_28janvier\r\n \">https://meet.jit.si/GREN_EditionsCritiques2_EP_28janvier\r\n </a></h2>",
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"title": " ",
"content_html": "<p>\r\nWithin the framework of the collaborative publishing project of the Palatine Anthology led by the CRCEN, a digital space for the discovery, study and appropriation of this ancient and fragmentary corpus has been designed and is currently under development. The platform is designed in collaboration with Perseids and will be open to all, both in reading and writing. It will gather all the established versions and translations of the Anthology, all the handwritten data (including the scholies), and has the ambition to be adapted to the needs of the scientific community as well as to the curiosity of the general public. The major challenge in the realization of this space is the following: how to design a data model to describe the anthological object, the epigram, to present the aspects of a philological work? In order to tag the text for research purposes as well as for wider public dissemination, we are currently working on data models and text ontologies that are key questions for critical digital publishing.</p>\r\n\r\n<p>In association with the Canadian Digital Humanities Society (CSDH/SCHN) and our center, the Groupe de Recherche sur les Éditions critiques en contexte Numérique (GREN) is pleased to announce a two-part event. The first part is a discussion of two articles on the Palatine Anthology project led by Marcello Vitali-Rosati (Université de Montréal), with Aurélien Berra (Université de Paris Nanterre) as respondent :</p>\r\n\r\n<p><a href=\"https://ecrituresnumeriques.ca/fr/2020/1/1/spanMarcello-Vitali-Rosati-Servanne-Monjour-Joana-Casenaveet-al-Editorializing-the-Greek-Anthology-The-palatin-manuscript-as-a-collective-imaginary-iDigital-Humanities-Quarterlyi-volzerooneforone-twozerotwozerospan>Editorializing the Greek Anthology: The palatin manuscript as a collective imaginary\"</a>.</p>\r\n<p><a href=\"http://blog.sens-public.org/marcellovitalirosati/pour-une-edition-participative-de-lanthologie-palatine/\">For a participative edition of the Palatine Anthology \"</a></p>\r\n<iframe src=\"https://archive.org/embed/editioncritique1\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen></iframe>",
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"description": "<h2>21 janvier 2021 <br/>10-11h<a href=\"https://jitsi.iro.umontreal.ca/GREN_EditionsCritiques1_AP_21janvier\">https://jitsi.iro.umontreal.ca/GREN_EditionsCritiques1_AP_21janvier</a></h2>",
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"title": "CCLA third meeting : Git and Versioning",
"content_html": "<p>Following previous discussions on inscription and on semantic writing with the Markdown lightweight markup language, this third Literature and Media session will focus on versioning, and especially on Git.</p>\r\n\r\n<p>This session will be divided into 3 parts:<br/>\r\n– Markus Reisenleitner: theoretical aspects of versioning, and more specifically of Git<br/>\r\n– Markus Reisenleitner and Antoine Fauchié: Demonstration of various projects, including literary projects<br/>\r\n– Creative hacks</p>\r\n\r\n<iframe src=\"https://archive.org/embed/ccla-work-session-2020-12-15\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen></iframe>",
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"description": "<h2>15th december, 14h30-15h30 (east time)<br/><a href=\"https://meet.jit.si/CCLA-MediaLiteratureTheory-ThirdWorkSession\">https://meet.jit.si/CCLA-MediaLiteratureTheory-ThirdWorkSession</a></h2>",
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"title": "CCLA second meeting “Markdown & Semantic Writing”",
"content_html": "<p>The CCLA group Matérialités comparatives : Médias, littérature et théorie / Comparative Materialities: Media, Literature, Theory proposes introductive working sessions around the issue of writing in the digital environment. These meetings will be an opportunity for discussion among the various participants. </p>\r\n\r\n<p>Continuing the reflections presented during the first session, the aim of this meeting is to question a particular writing format - markdown - in order to understand how this format represents and determines a way of thinking. The workshop will be both practical (presenting and explaining the format) - and theoretical, reflecting on the epistemological issues at stake.</p>\r\n\r\n<p>The link of the meeting is the following: <a href=\"https://meet.jit.si/CCLA-MediaLiteratureTheory-SecondWorkSession\">https://meet.jit.si/CCLA-MediaLiteratureTheory-SecondWorkSession</a></p>\r\n\r\n<iframe src=\"https://archive.org/embed/ccla-work-session-2\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen></iframe>",
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"description": "<h2>November 27th from 2h30pm to 4pm (Montreal time zone)<br/><a href=\"https://meet.jit.si/CCLA-MediaLiteratureTheory-SecondWorkSession\">https://meet.jit.si/CCLA-MediaLiteratureTheory-SecondWorkSession</a></h2>",
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{
"slug": "international-symposium-la-route-et-ses-bas-cote-imaginaire-des-lieux-autoroutiers-liminaires",
"date_start": "2020-11-11",
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"id": 1340,
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"title": "International Symposium : La route et ses bas-côté. Imaginaire des lieux autoroutiers liminaires",
"content_html": "<img src=\"https://i.imgur.com/5PBh23j.png\" />",
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"description": "<h2>10th-11th December 2020\r\n<br />University of Montreal\r\n<br />Online Symposium: <a href=\"https://jitsi.iro.umontreal.ca/colloqueRouteLiminaire2020\">https://jitsi.iro.umontreal.ca/colloqueRouteLiminaire2020</a>\r\n<br />Symposium website: <a href=\"ht",
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"legacy_slug": "International-Symposium--La-route-et-ses-bas-cote-Imaginaire-des-lieux-autoroutiers-liminaires",
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{
"slug": "stylo-text-editor-now-available-on-huma-num",
"date_start": "2020-11-05",
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"event_type": null,
"id": 1338,
"events_id": 669,
"languages_code": "en",
"title": "Stylo text editor now available on Huma-Num",
"content_html": "<img src=\"https://f-origin.hypotheses.org/wp-content/blogs.dir/1766/files/2019/10/Capture-stylo-editeur.jpg\" />\r\n<p>The text editor <a href=\"https://ecrituresnumeriques.ca/fr/Activites/Projets/2016/1/14/Stylo\">Stylo</a>, developed by the Chair's team, is now available on the <a href=\"https://huma-num.fr/\">Huma-Num</a> platform, the largest research infrastructure in France.</p>\r\n<p>Stylo is connected to HumanID and accessible to all users with an account at Huma-Num. Its availability via HumanID is the result of a first phase of the joint work carried out by the CRCEN and TGIR Huma-Num teams and which continues today within the HN Lab. As a result of these exchanges, a Franco-Canadian agreement is currently being signed between the TGIR Huma-Num (CNRS) and the Centre de recherche interuniversitaire sur les humanités numériques (Université de Montréal).</p>\r\n<p>For further information, check the <a href=\"https://humanum.hypotheses.org/6311\">Huma-Num post</a>.</p>",
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{
"slug": "open-access-social-and-solidarity-economy-editorialization-the-new-faces-of-scholarly-publishing",
"date_start": "2020-10-15",
"date_end": null,
"time_start": null,
"time_end": null,
"event_type": null,
"id": 1332,
"events_id": 666,
"languages_code": "en",
"title": "Open access, social and solidarity economy, editorialization: the new faces of scholarly publishing",
"content_html": "<img src=\"https://i.imgur.com/kWjLQV5.png\" />\r\n<p>In a context where the circulation of information and knowledge is now intrinsically linked to digital technology, and where questions about the ways of producing publications are emerging, what strategies are being implemented by the actors who produce and transmit scientific knowledge? What are the new faces of scholarly publishing in contact with the new modes of dissemination, the social and solidarity economy, or the commons? We will answer these questions based on various experiences: collaborative editorialization, open access dissemination, editorial transition, or publishing activities stemming from cooperative societies. Several French and Quebec initiatives will be presented, mobilizing organizational, economic and strategic approaches. French and Quebec structures, familiar with scholarly publishing issues or common will come to present their projects and exchange: Oxamyne, a cooperative based in Lyon; the Presses universitaires de Grenoble; Les ateliers [sens public], a young Quebec publishing house; Captures, a Quebec journal in the humanities and social sciences.<br/><a href=\"https://www.centrejacquescartier.com/les-entretiens/details/entretien/libre-acces-economie-sociale-et-solidaire-editorialisation-les-nouveaux-visages-de-ledition/\">More infos.</a></p>",
"links": [
{
"label": "",
"url": "https://www.centrejacquescartier.com/les-entretiens/details/entretien/libre-acces-economie-sociale-et-solidaire-editorialisation-les-nouveaux-visages-de-ledition/"
}
],
"feature_image": null,
"description": "<h2>Wednesday, November 4th<br/> 9-11 am (Montreal time zone)</h2>",
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"legacy_image": "https://i.imgur.com/kWjLQV5.png",
"legacy_slug": "Open-access-social-and-solidarity-economy-editorialization-the-new-faces-of-scholarly-publishing",
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},
{
"slug": "publication-of-lagir-en-condition-hyperconnectee",
"date_start": "2020-10-15",
"date_end": null,
"time_start": null,
"time_end": null,
"event_type": null,
"id": 1330,
"events_id": 665,
"languages_code": "en",
"title": "Publication of L’agir en condition hyperconnectée",
"content_html": "<p>Acting in a hyperconnected condition has just been released on the new Parcours Numérique reading platform!</p>\r\n\r\n<p>The last decade has been marked by the multiplication and entanglement of connection modes and areas; with cities and smart phones, massive data collection or ambient internet connection, a large part of humanity is interconnected from (almost) everywhere. This contemporary state in which online and offline spaces hybridize is referred to here as the hyperconnected condition. From the moment this hyperconnectivity is established as a mode of existence, what can be done and what is being done? And how can we think beyond this phenomenon? This book brings together different perspectives on the study of art and images in order to better understand the (im)possibilities of this condition through a critical examination of the materialities and representations produced within it. Digital devices integrated into our daily lives, autonomous machines, bodies and looks are active. They organize, desire and exacerbate affects and politics - all actions that express the modalities of coexistence in a hyperconnected condition. https://www.parcoursnumeriques-pum.ca/11-agir/ </p>\r\n\r\n<p>Enrico Agostini Marchese publishes: \"How to do cities with words. City, space and literature in the hyper-connected era\". \r\nDisconnected from the fixed position of the desktop computer, the connection that has become hyper is not only integrated into urban space and its structures, but now takes place through the mobile devices we have with - and on - us at any time and in any place. This text examines the hyper-connected condition from the perspective of mobility, digital literature and urban space. By analyzing two literary projects on the relationship between images of the city and hyperconnection, French writer Pierre Ménard's Les lignes de désir (2016) and the Montreal collaborative work site Dérives (2010-), it prompts us to reflect on some of the changes that digital technologies bring to the city, as well as how literature can take hold of them in order to produce new spatial imaginaries. https://www.parcoursnumeriques-pum.ca/11-agir/chapitre2.html </p>\r\n",
"links": null,
"feature_image": null,
"description": "<h2>Parcours Numérique\r\n<br />Presses Universitaires de Montréal, 2020\r\n</h2>",
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},
{
"slug": "ccla-first-meeting",
"date_start": "2020-09-28",
"date_end": null,
"time_start": null,
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"event_type": null,
"id": 1336,
"events_id": 668,
"languages_code": "en",
"title": "CCLA first meeting : ",
"content_html": "<p>The CCLA group Matérialités comparatives : Médias, littérature et théorie / Comparative Materialities: Media, Literature, Theory proposes introductive working sessions around the issue of writing in the digital environment. These meetings will be an opportunity for discussion among the various participants. The first meeting “Questioning Inscription” will be held on October 2nd from 1pm to 2:30pm (Montreal time zone) and will be recorded (if you wish, you will be able to turn off your camera). The link of the meeting is the following: https://meet.jit.si/CCLA-MediaLiteratureTheory-FirstWorkSession \"</p>\r\n\r\n<p>- Introduction & moderate discussion : briefly present the 3 sessions + present differences between Full text/format like plain text : show what a docx doc is really<br/>\r\n- Material text/inscription & formats aren't neutral or free, how you writes matters in the product: Materiality Matters, examples of using API (ateliers, stylo export) by Antoine Fauchié and Marcello Vitali-Rosati - important to talk about text formats: full text as the lower knowledge model and then formats like docx ; <br/>\r\n- Nature of text & mediation : how literature is describe/fluidity of text in digital age/question of representation, API, transfert Revisit Representation (representation of knowledge, what constitute knowledge and what constitute sources of knowledge) by Markus Reisenleitner ;<br/>\r\n- Toolchain/publishing chain like Les Ateliers by Antoine Fauchié ;<br/>\r\ntalk about formats (semantics and graphics) : stylo export format : Formats make differents objects by Margot Mellet ; use the Markdown/Stylo tutorial: <a href=\"https://gitlab.huma-num.fr/ecrinum/manuels/tutoriel-markdown-pandoc\">https://gitlab.huma-num.fr/ecrinum/manuels/tutoriel-markdown-pandoc</a> + <a href=\"https://artorig.github.io/tutomd/\">https://artorig.github.io/tutomd/</a> ; <br/>\r\n- Pratical exemple with zotero.</p>\r\n<p>For further informations on thhis session: <a href=\"https://ccla.digitaltextualities.ca/\">https://ccla.digitaltextualities.ca/</a></p>\r\n\r\n<p><iframe src=\"https://archive.org/embed/ccla-work-session-2020-10-02\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen></iframe></p>",
"links": null,
"feature_image": null,
"description": "<h2>2 octobre<br/>1PM-2.30PM (Montreal time zone)<br/><a href=\"https://meet.jit.si/CCLA-MediaLiteratureTheory-FirstWorkSession\">https://meet.jit.si/CCLA-MediaLiteratureTheory-FirstWorkSession</a></h2>",
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]
}
