Symposium CRIHN 2018: Thinking Digital Humanities Anew
University of Montreal
Carrefour des Arts et des Sciences
25th-27th October 2018
Conference of Junia Barreto: Scenophilie: the cinema of François Ozon
University of Montréal
Local C-8111
2pm, 4th June
CRIHN Work-in-progress series 2017-2018 - Marta Boni
University of Montreal
Local C-2059
13th April 2018, 1 pm
CRIHN Work-in-progress series 2017-2018 - Darren Wershler
University of Montreal
Local C-8076
16th March 2018, 1 pm
Marcello Vitali-Rosati presentation : authority in the digital era
Palais des congrès et de la culture du Mans
Le Mans
24th-25th March 2018, 10am
CRIHN Work-in-progress series 2017-2018 - Stéfan Sinclair
University of Montréal
Local C-2059
23rd February, 1pm
Tim Fulford Lecture : Picturing the Picturesque Tour; or, Making a Digital Edition of an Early 19th-century MS
Pavillon Lionel-Groulx, University of Montreal,
room C-8111
5th February, 11am
A glass behind the screen - 2018/2019
Seminar on digital culture
Marcello Vitali-Rosati and Peppe Cavallari communications in the Habitabilité des mondes cartographiques congress
National Archives, Paris
11th-13th December 2017
CRIHN Work-in-progress series 2017-2018 - Ghislain Thibault
University of Montréal
Local C-2059
Local C-2059
1st December, 1pm
Jason Boyd Lecture
University of Montreal
Pavillon Lionel-Groulx, Room C-8111
Pavillon Lionel-Groulx, Room C-8111
10th novembre, 11 am
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"content_html": "<p>During the Open Acces international week, the CRIHN will celebrate its five years with an international symposium on the subjet: \"Thinking Digital Humanities Anew » under the direction of Emmanuel Chateau-Dutier, Enrico Agostini-Marchese, Cecily Raynor, and Michael E. Sinatra. The symposium will be held at the Carrefour des Arts et des Sciences of the University of Montréal.</p>\r\n\r\n<p>Keynote speakers:</p>\r\n\r\n<p>Eric Gidal (University of Iowa, USA); Anatoliy Gruzd (Canada Research Chair in Social Media Data Stewardship, Ryerson University, Canada); Fatiha Idmhand (Université de Poitiers, France); Elika Ortega (Northeastern University, USA); Marcello Vitali-Rosati (Chaire de recherche du Canada sur les écritures numériques, Université de Montréal, Canada)</p>\r\n\r\n<p>Since 2013, the CRIHN is engaged, through several projects, in a reflection over the two principal aims that motivate this first international symposium:</p>\r\n\r\n<p>On the practices plan: take stock of existing experiences by identifying the strengths and weaknesses of tools and platforms; experiment with the use of excavation and visualization tools; integrate these tools into ongoing and developing projects;</p>\r\n<p>At the theoretical level: to understand the impact of digital technology on the process of production and circulation of knowledge; define new reading / writing models for the humanities; deploy new content validation systems and foster new relationships between researchers, scientific communities and society.</p>\r\n\r\n<p>With the change of media, publication methods, mechanisms of visibility, access to information and circulation of content, it is the whole of our relationship to knowledge that is challenged. It is now part of a circular dynamic closely associating production, circulation and validation of knowledge.</p>\r\n\r\n<p> The call for papers for the conference \"Repenser les humanités numériques / Thinking the Digital Humanities Anew\" is based on the three axes of CRIHN's scientific programming built around the fundamental question of the transformation of human sciences by the digital humanities:</p>\r\n<ul>\r\n <li>Axis 1: Production - Digital Writing and Editorialization</li>\r\n <li>Axis 2: Circulation - Digitization and recontextualization</li>\r\n <li>Axis 3: Validation - Legitimization of contents</li>\r\n</ul>\r\n<p>We are soliciting communication proposals in French or in English relating to work in progress or work completed in relation to these three areas. Topics may include the following topics:</p>\r\n<ul>\r\n <li>electronic editions;</li>\r\n <li>transformation of scholarly scientific publications;</li>\r\n <li>new forms of editorialization;</li>\r\n <li>digital museology;</li>\r\n <li>history of digital visual art and culture;</li>\r\n <li>linguistics and computer translation;</li>\r\n <li>analysis of digital social networks;</li>\r\n <li>geographic information system;</li>\r\n <li>visualization and interfaces;</li>\r\n <li>digital humanism;</li>\r\n <li>digital sociology;</li>\r\n <li>free access policy;</li>\r\n <li>pedagogy of the digital humanities;</li>\r\n <li>cyberinfrastructures;</li>\r\n <li>digital environmental studies.</li>\r\n</ul>\r\n\r\n<p>Organizing committee:</p>\r\n\r\n<p>Emmanuel Chateau-Dutier (Professor of Digital Museology at the University of Montreal); Enrico Agostini-Marchese (Ph.D. student in French Litterature at the University of Montreal); Cecily Raynor (Professor of Hispanic Studies at McGill University); Michael E. Sinatra (Professor of English Literature at the University of Montreal and Founding Director of CRIHN).</p>",
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"content_html": "<img src=\"https://upload.wikimedia.org/wikipedia/commons/c/cf/Fran%C3%A7ois_Ozon_avp_2012.jpg\"/>\r\n<p>Beyond the different digital formats that hold our attention, screens are primarily images. Images that are at the center of the writing of contemporary cultures, strongly focused on the audiovisual. The filmmakers' experience is unique in addressing this issue. The cinema has developed by questioning ever more intensely the types of representation of the world and the relationships that it establishes with the spectators. At present, he is seizing technologies of the digital age as an industry, but draws on the most diverse cultural sources as it is an art modifying the writing of the world.</p>\r\n<p>Heir of the <i>Nouvelle Vague</i>, filmmaker François Ozon observes the uncertainties of our time, allowing us to reflect on the status of images to think about society. Each of her creations exalts the happiness of staging and presenting unique attitudes and lives that question our certainties. Ozon has a predilection for different scenes from the arts - literature, theater, music, cinema itself - and the idea of staging and performance. His fictions are marked by the mixing of genres and he produces a materialistic critique of digital life through a kind of artistic sampling.</p>\r\n<p>De là notre thèse considérant le mouvement de l’écriture ozonienne comme marqué par ce que nous nommons « scénophilie », c’est-à-dire, un état constant de productions de narration. Ce terme indique également que l’écran où se projette le film accueille les traces de processus divers et complexes (ce qui engagerait une intermédialité). La mise en scène, quel qu’en soit le support, devenue une dimension permanente des rapports humains, nous permet d’explorer l’hypothèse de l’existence d’une “scénographie généralisée” - la scénophilie, devenue un mode d’intervention dominant la création contemporaine et dont l’œuvre de François Ozon nous semble paradigmatique.</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/hco_l4PjQjU\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>",
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"content_html": "<p>Marcello Vitali-Rosati will participate to the symposium \"Le numérique et nous, organized by the University du Mans, with a presentation on the notion of authority, and its modifications in the digital era</p>\r\n<p>The next day, Peppe Cavallari will give a presentation on screens and digital culture, titled \"La fenêtre, la main et l’écran : notes pour une théorie de la vision numérique\"</p>\r\n<p>Look <a href=\"http://carrefoursdelapensee.univ-lemans.fr/fr/carrefours-2018/videos.html\" target=\"_blank\">here</a> for Marcello Vitali-Rosati amd Peppe Cavallari presentations.</p>",
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"title": "Marcello Vitali-Rosati and Peppe Cavallari communications in the Habitabilité des mondes cartographiques congress",
"content_html": "<p><img src=\"http://www.labex-arts-h2h.fr/local/cache-gd2/ae/6158418bc79aa1834280269aacf51f.jpg?1511901771\"></p>\n<p>In the framework of the international conference \"Habitability of Map Worlds\", Marcello Vitali-Rosati will give the plenary conference \"Editorializing the world: cartographies, knowledge and reality\", Monday, December 11 at the National Archives, in Paris.</p>\n<p>Peppe Cavallari will participate in the congress with the presentation \"La performativité de la cartographie numérique : les gestes d'une fiction\", Wednesday 13th December, at the University Paris-Nanterre, building Max Weber.</p>\n<p> </p>",
"links": null,
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"description": "National Archives, Paris<div class=\"dateHeure\">11th-13th December 2017</div>",
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},
{
"slug": "crihn-work-in-progress-series-2017-2018-ghislain-thibault",
"date_start": "2017-11-23",
"date_end": null,
"time_start": null,
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"id": 1270,
"events_id": 635,
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"title": "CRIHN Work-in-progress series 2017-2018 - Ghislain Thibault",
"content_html": "<img src=\"http://www.crihn.org/files/sites/33/2017/02/csm_Ghislain_Thibault_-_web_01_3b9198ddba.jpg\">\r\n<p>The first Work-in-progress session of the CRIHN members will be dedicated to the project of <i>Ghislain Thibault</i>: « Humanités analogiques : la mécanologie canadienne, précurseure des humanités numériques ».</p>\r\n<p>Ghislain Thibault is professor at the Communication Department of the University of Montréal, where he teaches media studies and media history. His works has been published in Configurations, VIEW, Canadian Literature, Canadian Journal of Communication et Intermédialités. With professor Mark Hayward, he leads a SSHRC funded project on history and mecanology, a French Canadian mouvement which lies aside cybernetics since 1960s and on the works of Jean Le Moyne and Gilbert Simondon.</p>\r\n",
"links": null,
"feature_image": null,
"description": "University of Montréal<br>Local C-2059<div class=\"dateHeure\">1st December, 1pm",
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},
{
"slug": "jason-boyd-lecture",
"date_start": "2017-11-03",
"date_end": null,
"time_start": null,
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"event_type": null,
"id": 1268,
"events_id": 634,
"languages_code": "en",
"title": "Jason Boyd Lecture",
"content_html": "<h3>\"People, Talking : Using TEI to Analyze Information Transmission in a Biographical Corpus\"</h3>\n<p><img src=\"https://0.academia-photos.com/820458/284792/336813/s200_jason.boyd.jpg\"></p>\n<p>The Text Encoding Initiative (TEI) Guidelines contain a comprehensive set of elements for constructing structured semantic prosopographical or biographical entries on individuals. The case discussed here, the Texting Wilde Project (TWP), which comprises a corpus of early (pre-1945) biographical texts relating to Oscar Wilde, adds a number of additional components to the simple factoid model of 'this thing about this person is asserted by this source.' The TWP biographical corpus, like those concerning others of the nineteenth century and earlier, includes the originating sources of much of the information that comprises the Oscar Wilde we know today (primarily, as reiterated and reinterpreted in more contemporary biographical texts).</p>\n<p>Jason Boyd is an Associate Professor in the Department of English at Ryerson University, and a faculty member in the Master of Digital Media and joint Ryerson- York University Communication and Culture Program. He is a Co-Director of Ryerson's Centre for Digital Humanities and an Assistant Director of the Digital Humanities Summer Institute. He has been working on developing computer- assisted methods for the study of large corpora of biographical texts in his SSHRC-funded \"Texting Wilde Project,\" which studies early biographical texts relating to Oscar Wilde.</p>",
"links": null,
"feature_image": null,
"description": "University of Montreal<br>Pavillon Lionel-Groulx, Room C-8111<div class=\"dateHeure\">10th novembre, 11 am</div>",
"location": null,
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]
}